Two distinct styles are recognized in his art. Before 1900, Schwabe's paintings were more individual and experimental, indicating the idealism of the Symbolists; conventional, allegorical scenes from nature became more prominent in his later work. Images of women were important, sometimes representing death and suffering, other times creativity and guidance. His first wife was his model for angels and virgins, and "Death" in The Death of the Grave-Digger (1895) resembles her. The death of a close friend in 1894, when Schwabe was 28 years old, engendered his interest in representing death.
La mort du fossoyeur
(The Death of the gravedigger, 1895)
is a compendium of Symbolist motifs,
including death, an angel,
pristine snow, and dramatic poses.
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