The psychedelic band The Glass Prism released an album in 1969 entitled "Poe Through the Glass Prism," with the lyrics coming entirely from various poems by Poe. "The Raven" was the single from the album.
The Alan Parsons Project album Tales of Mystery and Imagination (1976) includes a song based on "The Raven" and entitled the same, but with only two verses.
A musical variation of "The Raven" was performed by the Grateful Dead during Space on April 19, 1982.
The black metal band Carpathian Forest used the first two verses of the poem for "The Eclipse / The Raven" on their EP Through Chasm, Caves and Titan Woods (1995).
The gothic metal band Tristania released a track titled "My Lost Lenore" on Widow's Weeds (1998). It is clearly inspired by this poem, but does not incorporate the poem as part of the lyrics. The entire album is in fact reminiscent of The Raven."The Ravens" is another song inspired by the poem, although its main theme is terrorism.
The German black metal band Agathodaimon quotes "The Raven" in the song "Les Posédes" on their 1999 album Higher Art of Rebellion.
A song based on "The Raven" appears on the Grave Digger album The Grave Digger (2003), alongside other songs based on the work of Edgar Allan Poe.
Lou Reed's 2003 album The Raven is based on Poe's work, including his own version of The Raven in a song by the same name.
The song Kremlin Dusk, from Japanese pop star Utada Hikaru's English-language album Exodus (2004), begins "All along, I was searching for my Lenore/In the words of Mr. Edgar Allan Poe/Now I'm sober and "Nevermore"/Will the Raven come to bother me at home." It also refers to the "dying ember" line in the poem.
Seattle, Washington metal band Nevermore got its name from the repeated refrain in "The Raven". The band also referenced it in the title track from their 2005 album This Godless Endeavor.
The Dutch neoceltic pagan folk band Omnia put a slightly edited version of the poem to music as the second track on their 2007 album Alive!.
The American gothic horror band Nox Arcana released a CD entitled Shadow of the Raven in 2007. Three songs—"Midnight Dreary", "The Raven" and "Nevermore"—as well as the album's title, are direct references to the poem.
The German symphonic metal band Xandria included the quote "Thus spoke the raven, 'Nevermore'" in their song Ravenheart, which is inspired by the poem as well..
The Christian third-wave ska band Five Iron Frenzy quotes many of Poe's lines in "That's How The Story Ends", from The End Is Near, and alludes ironically to the mysterious and somber mood of "The Raven".
The song "Campanas en la Noche" ("Bells in the Night") by the Argentine rock band Los Tipitos, the tale of a man wishing for the return of his lover, is loosely based on the poem. This relationship is even more evident in the song's video, which features the bust of Pallas and the titular raven itself.
Rapper MC Lars released the track "Mr. Raven" on The Laptop EP, quoting some lines directly from the poem and modifying others (e.g. "Once upon a midnight dreary, while I kicked it weak and weary").
The song "Run-Around" by Blues Traveler begins, "Once upon a midnight deary...", a reference to the opening of The Raven.
The extreme metal band, Cradle of Filth, has quoted the poem in their song entitled "An Enemy Led the Tempest".
The Canadian artist Nash the Slash included an instrumental track called "Lost Lenore" on his vinyl album The Million Year Picnic.
Jean Sibelius allegedly based an early conception of his fourth symphony on "The Raven".
The Devil Wears Prada used a track of a man reading a part of "The Raven" as a part of an introduction to concerts during a 2008 tour with Underoath. The piece led into the ending breakdown in the song "Goats on a Boat"
The Dutch based hardstyle artist DJ Pavo released a track entitled "Raven", which quotes various lines from the poem.
Buddy Morrow and His Orchestra recorded an album of songs based on Poe's works. The album, "Poe for Moderns," includes a condensed, jazzy version of "The Raven."
Αλλά πάντα από την αποστα- σιοποιημένη ματιά της τέχνης
Εργα τέχνης που απεικονίζουν σκοτεινές πλευρές της ιστορίας και του ανθρώπινου ψυχισμού, όπως ωμή βία, ρατσισμό, κακοποίηση και σφαγές άλλων -ΔΕΝ ΠΡΕΠΕΙ ΝΑ ΛΟΓΟΚΡΙΝΟΝΤΑΙ!! Πρέπει να αντιμετωπίζουμε πρόσωπο με πρόσωπο την ωμότητα και να πασχίζουμε να την κατανοήσουμε με κριτικό και αποστασιοποιημένο τρόπο, αν θέλουμε να φτιάξουμε έναν καλύτερο κόσμο.
Graphics that depict dark aspects of history—such as violence, intolerance, racism, aggressive nationalism, war and atrocity, abuse of others and of the environment in general—have not been censored. We must confront such harsh images directly—and struggle to critically understand them—if we hope to ever make a better world. ocw.mit.edu