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The Green Death
Bertrand-Jean Redon, better known as Odilon Redon (1840 – 1916) was a French symbolist painter, printmaker, draughtsman and pastellist. Redon describes his work as ambiguous and undefinable: "My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined."
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Angel Executions
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Darkness
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Crying Spider
Redon's work represent an exploration of his internal feelings and psyche. He himself wanted to "place the visible at the service of the invisible"; thus, although his work seems filled with strange beings and grotesque dichotomies, his aim was to represent pictorially the ghosts of his own mind. A telling source of Redon's inspiration and the forces behind his works can be found in his journal A Soi-même (To Myself). His process was explained best by himself when he said: "I have often, as an exercise and as a sustenance, painted before an object down to the smallest accidents of its visual appearance; but the day left me sad and with an unsatiated thirst. The next day I let the other source run, that of imagination, through the recollection of the forms and I was then reassured and appeased."
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